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This anthology of Russian track feedback finds the reactions of prime critics to new Russian track within the interval 1880-1917. Tchaikovsky, Rimsky-Korsakov and Borodin have been of their best, and a number of other new generations emerged: Rachmaninoff and Skryabin, Stravinsky and Prokoviev. Works reviewed diversity from within the Steppes of relevant Asia and the Pathétique Symphony to The Golden Cockerel and The ceremony of Spring.
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