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By Bill Crow
Within the Fifties, big apple City's Birdland was once the guts of the realm of contemporary jazz--and a revelation to invoice Crow, a wet-behind-the-ears twenty-two-year-old from Washington country. positioned on Broadway among 52nd and 53rd streets, the membership named for the incomparable Charlie "Bird" Parker boasted lifesize photograph work of art of contemporary jazzmen like Dizzy Gillespie, Lennie Tristano, and, in fact, chook himself, looming huge opposed to jet black partitions. unique stay birds perched in cages at the back of the bar. The midget grasp of ceremonies, 3'9" Pee Wee Marquette, wearing a zoot swimsuit and loud tie, smoked large cigars and screeched mispronounced introductions into the microphone. And the jazz-struck younger Crow might park within the bleachers until four am, blissfully enveloped by way of the heady track of poultry, Bud Powell, Max Roach, and a bunch of different jazz giants.
From Birdland to Broadway is a captivating insider's account of 4 a long time of a lifestyles in jazz. invoice Crow, journeyman bass participant, amazing storyteller, and writer of the profitable Jazz Anecdotes, the following narrates many relocating and pleasant stories of the pioneers of recent jazz he performed with and used to be befriended by means of. we discover Dizzy Gillespie, with whom Crow, as a result of past commitments, regretfully declined regular paintings, dancing on the Royal Roost, Stan Getz unfortunately teetering on the point of wasting himself to medicinal drugs, and Harry Belafonte (known then as "the Cinderella Gentleman") operating a lunch counter in New York's Sheridan sq. among tune dates. And we additionally witness a number of the highlights of Crow's occupation, corresponding to in 1955 whilst the Marian McPartland Trio (with Crow on bass) used to be named "Small workforce of the yr" via Metronome; Crow fidgeting with the Gerry Mulligan Quartet at venues like Storyville in Boston and Harlem's Apollo Theater (where they seemed with Dinah Washington); and the journey of the Soviet Union with Benny Goodman, a trip that may were a excessive element of Crow's travels in a foreign country yet used to be marred via Goodman's mythical mistreatment of his band.
relocating past jazz golf equipment to the Broadway live performance pit and numerous studio gigs within the '60s, Crow encounters actors similar to Yul Brynner and pop-rock acts like Simon and Garfunkel. From the good to the near-great, from Billie vacation to Judy Holliday, invoice Crow's wealth of non-public anecdotes takes the reader from Birdland, to the part word, to the Playboy membership, to the footlights of Broadway. This revealing publication is a fabulous portrait of the jazz global, instructed via somebody who is been there.
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