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Learn within the context of rising Nineteenth-century women's theology, Rossetti's devotional prose exhibits a special choice for the 'wisdom texts' of scripture, and foreshadows the paintings of prime feminist theologians this present day. This quantity disputes the belief that Rossetti was once a follower of Keble and Pusey, and indicates how her dissatisfaction with the male-dominated name to celibacy led her to reject their notions of worldliness, and to shape a more in-depth bond with the actual international and the physique.
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