Download E-books Armide hinter den Spiegeln: Lully, Gluck und die Möglichkeiten der dramatischen Parodie (German Edition) PDF

By Dörte Schmidt

Christoph Willibald Gluck komponierte in den 70er Jahren des 18. Jahrhunderts ein quickly hundert Jahre altes Libretto nahezu unverändert. Anders als in der italienischen Oper, wo Mehrfachvertonungen die Regel waren, sind bei »Armide« Quinaults textual content und Lullys ursprüngliche Musik untrennbar miteinander verbunden. Glucks künstlerisches Interesse an Quinaults textual content muss vor dem Horizont des spezifisch französischen Theaterlebens verstanden werden: der diskursive Umgang mit »Armide« führt von den dramatischen Parodien der Pariser Sprechbühnen bis hin zu vielfältigen Ausprägungen musikdramatischer Formen im Laufe des 18. Jahrhunderts. Auf diesem Weg lässt sich eine culture des künstlerischen Umgangs mit gleichsam kanonisierten musikdramatischen Werken herausarbeiten, die eine neue Perspektive auf Glucks »Armide« und deren Bedeutung im Kontext seiner Pariser Opern eröffnet.

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